演出剧目
《霸王别姬》讲述的是楚汉相争末期，西楚霸王项羽兵败垓下，被困于九面楚歌之中，爱妾虞姬自刎谢世的故事。这出戏是梅派旦角代表性的唱段之一。
《Farewell My Concubine》depicts the tragic farewell between Xiang Yu (the Overlord of Western Chu) and his concubine, Yu Ji, before his defeat and death. YU JI and this play is iconic among the Mei Lanfang school plays.
《甘露寺》“劝千岁”是京剧经典老生唱段。乔玄通过夸赞刘备集团的实力，告诫孙权“杀刘备恐惹天下笑，联刘抗曹方为上策”。唱腔潇洒流畅，彰显政治智慧与艺术魅力。
“Exhorting the Prince” is a segment from a classic Peking Opera《GAN-LU Temple》”Sheng” role aria where Qiao Xuan dissuades Sun Quan from killing Liu Bei by praising Guan Yu, Zhang Fei and Zhao Yun’s valor. The elegant singing showcases political wisdom and artistic brilliance.
《太真外传》是一部以中国唐代著名的杨贵妃与唐玄宗爱情故事为背景的京剧剧目。它改编自清代洪昇所作传奇《长生殿》，是著名梅派文戏以唱功、表演为主，动作较少。
《Legend of Lady YANG》 depicts Emperor Xuanzong of the Tang Dynasty went to Taizhen Palace to burn incense and being amazed. He met Taoist nun YANG YUHUAN (Lady YANG) and later brought her into the harem and made her a noble concubine.
《洪羊洞》是根据传统民间故事改编的京剧剧目，讲述了北宋年间杨家将的故事。其中“为国家”唱段，通常由杨延昭扮演者演唱，表现了他面对家国危难时，忠义之情油然而生，决心为国效力的情怀。
《HONG-YANG Cave》 is a Peaking Opera stared by a role as “Sheng” (middle-age male) in Beijing Opera roles. In this segment, Yang Yanzhao, a valiant general of the Yang’s family in Song dynasty, expresses his unwavering loyalty and devotion to the nation.
《空城计》是一出经典京剧剧目以老生唱腔为主。剧中描述三国时代诸葛亮兵力空虚、无兵可守时，下令将城门大开，自己登上城楼，泰然自若地抚琴，从而巧妙地让敌人误以为城中埋伏重兵，最终选择退兵的机智故事。
《Empty Fort Strategy》A famous stratagem where Zhuge Liang, left with no troops to defend the city, ordered the gates wide open and calmly played the zither atop the wall, tricking the enemy into thinking it was an ambush and retreating.
《打龙袍》是京剧传统剧目，取材于《三侠五义》中的“狸猫换太子”故事。 剧情讲述包拯在陈州放粮时遇到被冤的李后，经过一番周折，包拯在元宵灯会上以唱戏的方式暗讽宋仁宗不孝。 最终，当李后被迎接回朝，却要责打皇帝时，包拯象征性地打了一次龙袍，以此惩戒不孝之子，并成功迎回了李后。
“Beating the Dragon Robe”
It is a traditional Peking Opera play, adapted from the “The Raccoon Dog Swaps the Crown Prince” story in “The Three Heroes and Five Gallants.” The plot tells the story of Bao Zheng, who, while distributing grain in Chenzhou, encounters the wronged Empress Li. After a series of twists and turns, Bao Zheng subtly criticizes Emperor Renzong’s filial impiety by performing a play at the Lantern Festival. Ultimately, when Empress Li is welcomed back to the court and attempts to punish the emperor, Bao Zheng symbolically strikes the emperor’s dragon robe, thus chastising the unfilial son and successfully restoring Empress Li to her rightful place.
《女起解》是中国传统京剧中的一部经典剧目，取材自明代冯梦龙的《警世通言》中的《玉堂春落难逢夫》。这出戏讲述的是风尘女子苏三（又称玉堂春）坎坷的命运和她最终昭雪冤屈的故事。《Su San Escorted Under Guard》tells the story of Su San who was falsely accused of murdering her husband, Shen. Su San was sentenced to death and was escorted he from Hongdong to Taiyuan for retrial. This is an iconic play among the Mei Lanfang school plays.
《廉锦枫》改编自清代小说《镜花缘》。该剧讲述了唐代孝女廉锦枫为救母亲病重，潜入海中捞取海参被打渔人所擒后又得救和报恩的曲折感人故事。《Lian Jinfeng》is set during the reign of Wu Zetian in the Tang Dynasty. It tells the story of the filial daughter Lian Jinfeng, who dives into the sea to collect ginseng to cure her mother’s illness, is captured by a fisherman and is rescued by Tang Ao.
《西施》取材自中国古代四大美女之一西施的故事。西施的唱段“水殿风来秋气紧” 展现了西施在深宫中孤寂与思念的情感。
《Xi Shi》tells the legendary story of Xi Shi, a beauty in the Warring States Period. King Fuchai of Wu conquered Yue. King Goujian of Yue followed Fan Li’s plan and found the beauty Xi Shi and presented her to Fuchai. Fuchai was deceived by Xi Shi, and the state affairs became increasingly corrupt, and was finally conquered by Yue.
《状元媒》是张派的代表剧目之一。故事讲述宋王赵光义携柴郡主狩猎遇辽兵突袭，杨延昭（杨六郎）救驾却被傅丁奎冒功。柴郡主赠杨延昭珍珠衫定情，最终新科状元吕蒙正与八贤王揭穿真相，促成姻缘。剧中的这个唱段是柴郡主思念心上人时的一段自吟自叹，百感交集。寥寥数语，将恋爱中的女儿心思勾画得淋漓尽致。
《The Matchmaker of the Top Scholar》 tells the story of the Northern Song Dynasty. General Yang Yanzhao secretly rescued the King and Princess Chai of Song from the enemy Liao soldiers. The Princess and General Yang fell in love, and she asked the newly crowned number one scholar to mediate. In the end, the truth was revealed, and the two got married.
《坐宫》是京剧传统剧目《四郎探母》中的一折，讲述了北宋时期，杨家将四郎杨延辉在“双龙会”中被辽国俘虏，改名木易，与铁镜公主成婚。十五年后，宋辽再次交战，杨延辉思念母亲佘太君，欲趁机探望。铁镜公主识破其意图，机智盗取令箭，助杨四郎出关见母。
《Silang Visits His Mother: Sitting in the Palace》tells the story of Yang Silang being captured by the enemy Liao and married to Princess Tiejing in the Liao Kingdom. Fifteen years later, he misses his hometown and relatives, confesses his identity to the princess, and asks for help. To help him, the princess steals the imperial edict and helps him cross the border to visit his mother.
《红娘》取材于元代王实甫的《西厢记》，由京剧大师荀慧生根据王实甫的《崔莺莺待月西厢记》和昆曲《西厢记·拷红》改编而成，是荀派京剧的代表剧目之一。讲述了丫鬟红娘帮助小姐崔莺莺和张生成就姻缘的故事。剧中红娘是位婢女，她不顾封建礼教的束缚，帮助小姐崔莺莺与恋人张生追求自由和爱情。该唱段以红娘机智勇敢的性格为核心，唱词鲜明展现其不畏艰难的决心。
《HONG NIANG》tells the story of how Hong Niang helped Zhang Sheng and Cui Yingying to get married. Hong Niang was Cui Yingying’s maid. She took the risk of being punished and actively promoted this love, which eventually led to the lovers getting married.
《洛神》以曹植的《洛神赋》为基础，通过精心设计的唱腔、舞蹈、服饰和舞台效果，展现了曹植与洛神之间的 凄美爱情故事。
《The Goddess of Luo River》 is a new costume play created by Master Mei Lanfang in 1923. It tells the love tragedy during the Three Kingdoms period between Cao Zhi and Zhen Mi. Beauty Zhen Mi, who turned into the Goddess of Luo River and met Cao Zhi in his dream. The play is the pinnacle of Master Mei Lanfang’s new costume play creation.